Benjamin Moore

A spring green with a fashionable twist, this richer shade, a part of Colonial Williamsburg's revival color palette, has a more modern sensibility...

Inspired by the shade of lime putty used by the 18th century Williamsburg mason Humphrey Harwood, this almost weightless color mimicks whitewash...

The stone shade referenced in 18th century British paint and builders manuals is the color inspiration behind this softer mid-tone gray...

A deep green that suggests wisdom and maturity, this more masculine shade has velvety richness. It is part of Colonial Williamsburg's revival color palette...

This poised and elegant green was made using popular 18th century pigments such as Prussian blue, yellow ochre and lamp black...

Smokey and supple, this very deep shade of green captures the look of verdigris as it ages...

A mixture of the pigments verdigris and white, this restful, reassuring shade is anchored in the vibrant, dense beauty of the sea...

A mixture of Prussian blue, white and naturally occurring yellows, this rich, well-appointed green imbues rooms with style...

This pronounced, almost playful shade is based on the paint color found by researchers on a late 18th century house near Williamsburg...

Opulent Colonial verdigris takes its color cue from the patina of aged verdigris paint. A prominent shutter and door color after the Revolution, it is deep and decorative, suggesting Old World elegance...

Though anchored in the 18th century greens found by researchers, this deep, less conventional green makes a fresh, bold design statement...

This historic yet high-spirited green is based on the 1770s orders and account books of Lord Botetourt for green wallpaper at the Governor's Palace...

A trend-perfect teal with a modern vibe, this upbeat shade is actually based on the period pigments Prussian blue and yellow ochre...

Tracing its origin to the late 18th century paint color uncovered by paint analysts on the exterior of the Finnie House, this go-anywhere gray has a rich, traditional feeling...

To create this sophisticated color, Colonial Williamsburg staff hand-ground a sample of pure verdigris oil paint...

This rich, intense shade of deep green captures the verdigris pigment's tendency to shift toward black as it ages...

Based on an 18th century interior paint color found by researchers in the Galt dining room, this fun and flattering shade has a graceful, vintage quality...

Crafted using the pigments Prussian blue and white, this graceful and beguiling shade sparkles with a touch of teal...

This striking teal traces its history to a reclaimed baluster from a demolished late 18th or early 19th century house that once stood near the Capitol...

Shades of green shine through this deep, rich blue, based on a 1720s interior color found in the Thomas Everard House on Palace Green...

This lush blue with a touch of green is based on a mid-18th century interior color found at Wetherburn's Tavern, one of the most thoroughly documented buildings in the HIstoric Area...

Created by mixing a touch of Prussian blue into white paint, this very delicate shade of blue captures a feeling of age-old innocence...

A classic that never goes out of style, this beautiful hybrid blue pairs a hint of Prussian blue with a gray base paint...

A part of Colonial Williamsburg's colonia revival color palette, this graceful shade of blue drenches rooms in soft, silky color...

A mix of 18th century white, black and yellow pigments give this deep neutral its velvety soft quality...

Opulent and a touch offbeat, this glamorous shade of blue, a part of Colonial Williamsburg's colonial revival color palette, adds a layer of attention-getting style to any space...

To create this sophisticated shade, researchers referenced 1770s descriptions and the inventory, orders and account books of Lord Botetourt for blue wallpaper at the Governor's Palace...

Known examples of 18th century paint guided the creation of Lafayette blue, a shade created by Colonial Williamsburg's Historic Resources staff using a hand-ground mix of period-authentic blue and white pigments...

Based on blue distemper paints used in 18th century wallpaper, dense and dramatic Randolph blue is a rich, memorable color in any space...

This historically accurate color is based on known examples of 18th century blue paint. Gracious and genteel, its rich, deeply concentrated hue complements rooms filled with heirloom antiques...

Inspired by the rich dark blue created by the popular 18th century pigment Prussian blue, this striking shade mirrors the beauty of blue-and-white Chinese export porcelain popular in 18th century homes...

Suggesting gentility and culture, this deep, lush navy blue is based on the color created by hand-grinding Prussian blue in oil...

This sheer, watery blue, created using the 18th century pigments Prussian blue, lamp black and white, has an elegant, ethereal quality...

Inspired by a background and pattern color used in 18th century wallpaper, this light and lustrous shade of grayish blue has an almost iridescent shimmer...

A mixture of the 18th century pigments Prussian blue, lamp black and white give Apollo blue a chalky, urban sensibility...

Reflecting the 18th century practice of mixing white and black pigments, this deep, blackened gray gives weight to a library or den...

Called "pearl" in 18th century painting manuals, this pale blue is created by mixing white, black and Prussian blue pigments...

This fresh, fanciful blue was inspired by the light blue found in both French and English wallpapers in Colonial Williamsburg's collections...

A more moody blue, this velvety shade -- a mix of white, black and Prussian blue pigments -- is a darker version of the pearl suggested in 18th century painting manuals...

From Colonial Williamsburg's colonial revival color palette, this pronounced, somewhat pensive color was likely found during scratch tests, the precursor to modern paint analysis...

Mirroring the beauty of its namesake mineral, this rich, earthy shade of milky blue was used in 18th century and early 19th century wallpapers...

An 18th century color found by researchers on the second floor of the Brush Everard house was the inspiration for this dense, very dramatic shade of blue-black...

This hue's playful name belies its powerful intensity. The shade was found by researchers on mopboards (baseboards) in the Historic Area of Colonial Williamsburg...

Decorative yet dignified, Ambler slate mimics a shade found in 18th and early 19th century wallpapers...

Created using white and black pigments, this beautiful shade is named after John Bracken, a rector of Bruton Parish Church, mayor of Williamsburg and president of the College of William and Mary...

Striking paired with glossy white trim, this luxurious lighter shade of lampblack is sharp and stylish. It was used in 18th century and early 19th century wallpapers...

An elegant, earthy shade of deep gray, this color evokes the 18th century custom of mixing white and black pigments...

Inspired by shades in 18th century and early 19th century wallpapers, this sophisticated color is soft and unassertive...

In colonial homes, this shade was used both as a finish color and a base for more brilliant colors. Created using black and white pigments, it is flattering and versatile shade of gray...

Anchored in 18th century tradition, this soft gray was created using white and a touch of black pigment to achieve a chalky, romantic quality...